Saturday, January 5, 2013

Patrick D'Orazio's Review of Vincenzo Bilof’s “Nightmare of the Dead”



Nightmare of the Dead introduces us to a young woman who wakes up on a train during the civil war, her memory lost, but her sense of what she is capable of with a gun still intact.  As a strange green mist appears in another one of the train cars and seeps into hers, she discovers that some sort of horrific transformation is taking place among the men that surround her.  Not all are affected by the gas.  At least one other boy-a soldier for the confederacy-does not transform into a creature that dead yet still living like the others, and neither does she.  These creatures are violent, deadly monsters that lust for flesh and must be killed with a bullet through the head.  For all intents and purposes, they are zombies, and their introduction comes as quite a shock to her.
While seeking to discover her identity as faint traces of her past seep into her mind, the woman is pursued by a group of outlaws who know about her past and have plans for her.  At the same time, we are introduced to a mad scientist who is the creator of the toxic gas she was exposed to on the train.  He has been employed by Jefferson Davis, President of the Confederacy, in an effort to turn the tide of the war with his new invention, but the scientist’s main goal is to gain membership into a dark, underworld organization that is intrigued by what he has wrought.  The story slowly reveals his relationship with the amnesiac woman and how she is valuable to both him and the “Nightmare Collective.”
Nightmare of the Dead is a zombie tale, though the zombies here are more mutations than anything-it does not appear that they infect you through their bites, but by the exposure to the gas, or other variations of the ingredients the scientist has mixed to cause the zombification.
The story has a different take on the zombie genre in some ways, and the undead play a very secondary role to the main characters and their quests to both understand more themselves and gain revenge upon one another for a very complicated past.  I’ve read historical zombie tales-those of the old west included-but this one foregoes many of the traditional elements found in most and carves out its own path.  Fans of the genre will get their fair share of zombie gore and action, and both the main character and villain are well developed, especially when the story dives deeper and deeper into their shared history, but don’t go in expecting a traditional tale of the apocalypse.  Both the main characters are vile in different ways, but the author is able to give us at least a reason or two to feel sympathy not only for the obvious one of the two, but the other as well.
I think it only fair to share concerns that come to mind with any book I review, and with Nightmare of the Dead it came down to some overly descriptive verse and stiff dialog.  This wasn’t something that was pervasive throughout, but came up enough to serve as a distraction.  By no means did it wreck the story for me, but it did make some characters feel a bit more forced and awkward than others.  The flow isn’t always natural with how they speak.  Again, this served as more of a distraction than a major issue, but it was noticeable and I feel compelled to point it out.
Outside of this issue, the story is solid, enjoyable, and I liked discovering and learning about these characters.  It is clear that a sequel must be forthcoming, and I look forward to checking that out as well.


For this review & other great stuff, check out Mr. D'Orazio's blog here!

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